Judith Anderson Information
Dame Judith Anderson, AC, DBE (February 10, 1898 – January 3, 1992)[1] was an Australian actress of stage and screen. She won two Emmy Awards and a Tony Award and was also nominated for a Grammy Award and an Academy Award.
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Early life
Anderson was born Frances Margaret Anderson-Anderson in Adelaide, South Australia to Jessie Margaret and James Anderson-Anderson.[2] She attended Norwood High School, and began acting in Australia before moving to New York in 1918.[3] She established herself as a dramatic actress of note making several appearances in the plays of William Shakespeare.
Stage
Anderson made her professional debut as Francee Anderson in 1915 at the age of 17. She played the role of Stephanie at the Theatre Royal, Sydney, in A Royal Divorce. Leading the company was the very popular Scottish actor, Julius Knight whom Anderson later credited with laying the foundations of her acting skills. In the company were some American actors who influenced Francee to try her luck in America. Francee went to California but was unsuccessful, so she tried New York, with equal lack of success. After a period of poverty and illness, she found work with the Emma Bunting Stock Company at the 14th Street Theatre in 1918–19. She toured with other stock companies until 1922 when she made her Broadway debut in On the Stairs using the name Frances Anderson. Twelve months later, she had changed her name to Judith and had her first triumph with the play Cobra co-starring Louis Calhern. She toured Australia in 1927 with three plays – Tea for Three, The Green Hat and Cobra.
By the early 1930s, she had established herself as one of the greatest theatre actresses of her era and she was a major star on Broadway throughout the 1930s, 1940s, and 1950s. In 1931, she played the Unknown Woman in the American premiere of Luigi Pirandello's As You Desire Me, filmed the following year with Greta Garbo in the same role. This was followed by Eugene O'Neill's Mourning Becomes Electra, Luigi Chiarelli's The Mask and the Face, with Humphrey Bogart, and Zoe Akins' The Old Maid from the novel by Edith Wharton, in the role later played on film by Bette Davis. In 1936, Anderson played Gertrude to John Gielgud's Hamlet in a production which also featured Lillian Gish as Ophelia.
In 1937, she joined the Old Vic Company in London and played Lady Macbeth opposite Laurence Olivier in a production by Michel Saint-Denis, at the Old Vic and the New Theatre. In 1941, she played Lady Macbeth again in New York opposite Maurice Evans in a production staged by Margaret Webster, a role she was to reprise later on television twice (the second version of 1960 was released to theatres in Europe as a feature film, and was the first Macbeth in color).
In 1942–43, she played Olga in Chekhov's Three Sisters, in a production which also featured Katharine Cornell, Ruth Gordon, Edmund Gwenn, Dennis King, Alexander Knox and Kirk Douglas in his Broadway debut.[4] The production was so illustrious, it made it to the cover of Time.[5]
In 1947, she triumphed as Medea in a version of Euripides' tragedy, written by the poet Robinson Jeffers and produced by John Gielgud, who also played Jason. She won the Tony Award for Best Actress for her performance. She toured in this role to Germany in 1951 and to France and Australia in 1955–56.
In 1953, she was directed by Charles Laughton in his own adaptation of Stephen Vincent Benét's John Brown's Body with a cast also featuring Raymond Massey and Tyrone Power. In 1960, she played Madame Arkadina in Chekhov's The Seagull first at the Edinburgh Festival, and then at the Old Vic, with Tom Courtenay, Cyril Luckham and Tony Britton.
In 1970, she realised a long held ambition to play the role of Hamlet. She did this on a national tour of the United States and at New York's Carnegie Hall at the age of 72.
In 1982, she returned to Medea, this time playing the Nurse opposite Zoe Caldwell in the title role. Caldwell had appeared in a small role in the Australian tour of Medea in 1955–1956. Anderson was also nominated for the Tony for Best Supporting Actress.
Hollywood
from the trailer for the film Laura (1944)In Hollywood, her striking and not conventionally attractive features meant that her opportunities were limited to supporting character actress work. She naturally preferred the stage in any event. However, she did make a handful of significant films. In particular, she was nominated for an Academy Award for Best Supporting Actress for her role in Alfred Hitchcock's Rebecca (1940). As the housekeeper Mrs. Danvers, Judith Anderson was required to mentally torment the young bride, the "second Mrs. de Winter" (Joan Fontaine), even encouraging her to commit suicide; and taunt her husband (Laurence Olivier) with the memory of his first wife, the never-seen "Rebecca" of the title. "Mrs. Danvers" as conceived by Judith Anderson is widely considered one of the screen's most memorable and sexually ambiguous female villains. (The Oscar went to Jane Darwell, for The Grapes of Wrath.)
This led to several film appearances during the 1940s in such films as Lady Scarface (1941), Kings Row (1942), All Through the Night (1942), Otto Preminger's Laura (1944) with Gene Tierney, René Clair's And Then There Were None (1945), Ben Hecht's Specter of the Rose (1946), and Jean Renoir's The Diary of a Chambermaid (1946).
She continued to act on the New York stage, winning a Tony Award in 1948 for her historically acclaimed bravura performance in the title role of Medea. Anderson holds the unusual distinction of winning two separate Emmy Awards for playing the same role – Lady Macbeth – in two separate productions of Macbeth.
Her stage and film work continued and by the 1950s she was also appearing in television productions. She played Herodias in Salome (1953), Memnet in Cecil B. DeMille's The Ten Commandments (1956), gave a memorable performance as Big Momma in the film of Tennessee Williams' Cat on a Hot Tin Roof (1958), Evil Stepmother in Cinderfella, and Buffalo Cow Head in A Man Called Horse (1970).
Anderson also recorded many spoken word record albums for Caedmon Audio in the 1950s through the 1970s, including her performance as Lady Macbeth (opposite Anthony Quayle). She received a Grammy nomination for her work on the Wuthering Heights recording.
Later career
In her later years, she played two more prominent roles in productions that took her as far away from her Shakespearean origins as possible. In 1984, she appeared in Star Trek III: The Search for Spock as the Vulcan High Priestess "T'Lar" (at the age of 86), and the same year commenced a three-year stint as matriarch Minx Lockridge on the NBC serial Santa Barbara. She had professed to be a fan, but after signing the contract, she bitterly complained about her lack of screen time. She was succeeded in the role by the American actress Janis Paige, who was a quarter of a century younger.
Personal life
Anderson was married twice and claimed "neither experience was a jolly holiday":[6]
- Benjamin Harrison Lehmann (1889 — 1977), an English professor at the University of California at Berkeley; they wed in 1937 and divorced in August 1939. By this marriage she had a stepson, Benjamin Harrison Lehmann Jr. (born 1918).[7][8]
- Luther Greene (1909 — 1987), a theatrical producer; they were married in July 1946 and divorced in 1951.[1]
Despite her marriages, Anderson was subject to speculation about her sexuality throughout her career. In his biography Otto Preminger: The Man Who Would Be King (2007), Foster Hirsch states matter-of-factly that Anderson was gay, extending this speculation into the current day. In an interview with author Boze Hadleigh, in which he asked her about her sexuality, Anderson said, "Many people already do [think I am a lesbian] ... it doesn't bother me. It's they [the people who ask] who bother me. ... But I wouldn't 'come out' in a million years."[9]
Anderson loved the city of Santa Barbara, California and spent the remainder of her life there, dying of pneumonia in 1992, aged 93. Anderson was a friend of the poet Robinson Jeffers, who wrote the adaptation of Medea which she starred in, and she was a frequent visitor to his home "Tor House" in Carmel, California.
Honours
Anderson was created a Dame Commander of the British Empire (DBE) in 1960 and thereafter was often billed as "Dame Judith Anderson".[10]
On 10 June 1991, in the Queen's Birthday Honours, she was named a Companion in the Order of Australia (AC), "in recognition of service to the performing arts".[11]
Partial filmography
- Blood Money (1933)
- Rebecca (1940)
- Lady Scarface (1941)
- Kings Row (1942)
- All Through the Night (1942)
- Edge of Darkness (1943)
- Laura (1944)
- And Then There Were None (1945)
- Specter of the Rose (1946)
- The Diary of a Chambermaid (1946)
- The Red House (1947)
- Salome (1953)
- The Ten Commandments (1956)
- Cat on a Hot Tin Roof (1958)
- Cinderfella (1960)
- Don't Bother to Knock (1961)
- A Man Called Horse (1970)
- Star Trek III: The Search for Spock (1984)
See also
| Biography portal |
References
- ^ "Judith Anderson Biography (1898–1992)". filmreference. http://www.filmreference.com/film/0/Judith-Anderson.html. Retrieved 2008-05-11.
- ^ "Judith Anderson Biography". Yahoo! Movies. 2008. http://movies.yahoo.com/movie/contributor/1800017822/bio. Retrieved 2008-05-11.
- ^ Anne Heywood (7 May 2003). "Anderson, Frances Margaret (Judith) (1898–1992)". Australian Women's Archives Project. National Foundation for Australian Women. http://www.womenaustralia.info/biogs/IMP0006b.htm. Retrieved 2008-05-11.
- ^ Mosel, "Leading Lady: The World and Theatre of Katharine Cornell
- ^ "TIME Magazine Cover: Katharine Cornell, Judith Anderson & Ruth Gordon – Dec. 21, 1942 – Katharine Cornell – Theater – Actresses – Movies – Broadway". Time.com. 1942-12-21. http://www.time.com/time/covers/0,16641,19421221,00.html. Retrieved 2010-07-27.
- ^ Billy J. Harbin, Kim Marra, and Robert A. Schanke, The Gay & Lesbian Theatrical Legacy (University of Michigan Press, 2005), page 29
- ^ Decennial Report: Harvard University, Class of 1911 (Four Seas Company, 1921) page 245
- ^ Langston Hughes, Joseph McLaren, and Arnold Rampersad, The COllected Works of Langston Hughes, page 392
- ^ Billy J. Harbin, Kim Marra, and Robert A. Schanke, The Gay & Lesbian Theatrical Legacy (University of Michigan Press, 2005), page 29
- ^ "It's an Honour: DBE". Itsanhonour.gov.au. 1960-01-01. http://www.itsanhonour.gov.au/honours/honour_roll/search.cfm?aus_award_id=1067253&search_type=advanced&showInd=true. Retrieved 2010-08-02.
- ^ "Australian Honours: Anderson, Judith". It's an Honour. Australian Government. 2008. http://www.itsanhonour.gov.au/honours/honour_roll/search.cfm?aus_award_id=870331&search_type=quick&showInd=true. Retrieved 2008-05-11.
External links
- Judith Anderson at the Internet Movie Database
- Judith Anderson at the Internet Broadway Database
- Judith Anderson at Allmovie
- Judith Anderson at Memory Alpha (a Star Trek wiki)
- Judith Anderson at Find a Grave
- Eric Pace. "Dame Judith Anderson Dies at 93; An Actress of Powerful Portrayals." The New York Times. 4 January 1992. 27.
- Dame Judith Anderson papers, at the University of California, Santa Barbara Library.
- Dame Judith Anderson prompts, at the National Library of Australia.
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| Persondata | |
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| Name | Anderson, Dame Judith |
| Alternative names | Anderson-Anderson, Frances Margaret |
| Short description | Actress |
| Date of birth | 10 February 1898 |
| Place of birth | Adelaide, South Australia, Australia |
| Date of death | 3 January 1992 |
| Place of death | Santa Barbara, California, U.S. |
Categories: 1898 births | 1992 deaths | Australian film actors | Australian soap opera actors | Australian stage actors | Australian television actors | Companions of the Order of Australia | Dames Commander of the Order of the British Empire | Australian dames | Actresses awarded British damehoods | Deaths from pneumonia | Emmy Award winners | People from Adelaide | Shakespearean actors | Tony Award winners | Infectious disease deaths in California
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